Solo Exhibitions

2020 –– Apperception, Hudson Hall, Hudson N.Y.
2016 –– Home Is Where the Hearth Is, John Davis Gallery, Hudson, N.Y.
2014 –– Based on Base, John Davis Gallery, Hudson, NY
2011 –– Framed, James Fuentes Gallery, New York, NY
2009 –– WARES, James Fuentes Gallery, New York
2007 –– Let’s Subtle Down Together, James Fuentes Gallery, New York, NY
2004 –– Plural Nouns and Viscious Circles, Art Moving Gallery, Brooklyn, NY
2000 –– Mind Your Head, James Fuentes Gallery, New York, NY
1999 –– Musings and Ruminations, Emily Harvey Gallery, New York, NY
1998 –– Chair Repair in the Former Superintendent’s Apartment, Thatcher, New York, NY
1991 –– Diverse Works, Houston, TX
1990 –– Tom Cugliani Gallery, New York, NY
1989 –– Tom Cugliani Gallery, New York, NY
1988 –– Tom Cugliani Gallery, New York, NY
1988 –– Hillman Holland Gallery, Atlanta, GA
1987 –– The Clocktower, P.S.1 Museum, New York, NY
1984 –– Emily Harvey Gallery, New York, NY

Selected Group Exhibitions

2016 –– group show Ryan-Lee Gallery New York, NY
2015 –– 12th Havana Biennial, 2015, Bustamante Studio, Havana, Cuba
2014 –– The Body Metonymic, curated by Dick Goody and Monica Bowman, Oakland University Art Gallery, Detroit, MI
2014 –– Friends of Thomas, Gallery Lok, New York, NY
2013 –– Extravagant Features, curated by Clarissa Dalrymple, C24 Gallery New York, NY
2012 –– Inaugural Group Show, CR10, Hudson, NY
2012 –– Nada Hudson, with James Fuentes Gallery, Hudson, NY
2012 –– Furniture, Invisible Exports, New York, NY
2012 –– Potential Fields, curated by Francine McGivern, Clermont State Historic Site, NY
2012 –– Something About a Tree, curated by Linda Yablonsky, Flagg Art Foundation, NY
2012 –– Heavy Equipment, curated by Francine McGivern, CR10 Livingston, NY
2010 –– cinema { } poesis, curated by L. Brandon Krall, Emily Harvey Foundation, NY
2007 –– Drawing is a Verb and a Noun, James Fuentes Gallery, NY
2007 –– Programing Chance, Emily Harvey Foundation, NY
2007 –– Merit Badge 2, curated by Jason Middlebrook, Rockland Center for the Arts, NY
2007 –– Digital Political Time Lapse, Long Island University, Brooklyn, NY
2007 –– Wit on Wry, curated by Karen Shaw, Islip Art Museum Islip, NY
2006 –– WORD, curated by L. Brandon Krall, Deborah Colton Gallery, Houston, TX
2005 –– Summer group show, Postmasters Gallery, New York, NY
2005 –– Group show, Archivo Emily Harvey, Venice, Italy
2004 –– Yesterday Begins Tomorrow, Deste Foundation, Athens, Greece
2003 –– Site Specifics ’03, installation Islip Art Museum, Islip, NY
2003 –– Territories, Denise Markonish curator Artspace New Haven, CT, and Gallery Fur Landschaftkunst, Hamburg, Germany
2002 –– Location, Location Location, installation – Postmasters Gallery, New York, NY Inaugural exhibition, Archivo Emily Harvey, Venice, Italy
2001 –– Hydro, Marcel Sitcoske Gallery, Erin Parish, curator, San Francisco, CA
2001 –– Between Sound and Vision, curated by Hannah Higgins, Gallery 400, University of Illinois at Chicago, IL
2001 –– To the Flag: Taking Liberties, Three Rivers Arts Festival Gallery, Kimberly Marrero, curator, Pittsburgh, PA
2001 –– Recovery Drum, installation, Pratt Sculpture Park, New York, NY
2000 –– The Notion of Motion, Islip Art Museum, Karen Shaw curator, Islip NY
2000 –– LIT. FIG. Work from Words, The Space @ Media Triangle, New York, NY
2000 –– Installation, Pratt College Sculpture Park, New York, NY
1999 –– Forces of Nature in Contemporary Art, Hudson River Museum, Yonkers, NY
1999 –– All Day I Hear the Noise of Many Waters Making Moan, Postmasters Gallery, New York, NY
1998 –– Group Show, Emily Harvey Lance Fung Galleries, New York, NY
1996 –– Funhouse, E.S. Vandam Gallery, New York, NY
1996 –– 10 x 10, TZ Art, New York, NY
1995 –– Synesthesia, San Antonio Museum of Contemporary Art, San Antonio, TX
1995 –– Clocks, TZ Art, New York, NY
1995 –– Three Group Shows, Mad River Post, Erin Parish, curator, New York, NY
1995 –– Group Show, Lok Gallery, New York, NY
1994 –– Old Glory, Cleveland Center for Contemporary Art, David Rubin, curator, Cleveland, OH
1993 –– Flux Attitude, The New Museum, New York, NY
1992 –– Comfort, Christopher Grimes Gallery, Santa Monica, CA
1991 –– The Technological Muse, The Katonah Museum of Art, Katonah, NY
1991 –– Better Homes and Monuments, Memorial Arch, Grand Army Plaza, Brooklyn, NY
1989 –– Artificial Nature, curator Jeffrey Deitch, The House of Cyprus, Deste Foundation, Athens, Greece
1989 –– Fluxus Group Show, Emily Harvey Gallery, New York, NY
1989 –– All Quiet on the Western Front, Gallerie Antoine Candou, Paris, France
1989 –– Clockwork, List Center for Visual Arts, Massachusetts Institute of Technology, Cambridge, MA
1989 –– The Drowned World, P.S. 1 Museum, Queens, NY
1989 –– Homemade, The Nature of the Object, Bard College, Annandale-on-Hudson, NY
1989 –– PB: Works on Lead, Nora Haime Gallery, New York, NY
1989 –– Strange Attractors: the Spectacle of Chaos, curated by Klaus Ottmann, 1140 N. Dayton, Chicago, IL
1989 –– Temperance, David Beitzel Gallery, New York, NY
1989 –– Fluxus and Company, Emily Harvey Gallery, New York, NY
1989 –– New Aqcuisitions, Progressive Corporation, Dayton, OH
1988 –– Fatal Strategies, Stephan Stux Gallery, curated by Klaus Ottmann and Leslie Tonkonow, New York, NY
1988 –– Redefining the Object, curator Barry Rosenberg, University Art Gallery, Wright State
1988 –– University and Cleveland Center of Contemporary Art, Cleveland, OH
1988 –– Interaction, Aldrich Contemporary Art Museum, Ridgefield, CT
1988 –– Complexity and Contradiction, curator Klaus Ottmann, Zilka Gallery, NY Wesleyan University, Middletown, CT
1988 –– Group Show, Tom Cugliani Gallery, New York, NY
1988 –– Motorized Sculpture, curated by David Rubin, Freedman Gallery, Albright College, PA
1987 –– Art that Moves, Laguana Gloria Art Museum, Austin, TX
1987 –– Inaugural Show, Tom Cugliani Gallery, New York, NY
1987 –– The Multiple Object, Bank of Boston Gallery, curated by Marjorie Jacobson and Judith Fox, Boston, MA
1984 –– Mechanisms, P.S.1 Museum, curated by Tom Finklepearl, Queens, NY

Books and Catalogs

The Body Metonymic, curated by Stephen Goody and Monica Bowman, Oakland University Art Gallery, Detroit, MI
NEW ART, Harry N. Abrams, Inc., NY
Fatal Strategies, Tonkonow, Leslie and Ottman, Klaus, Stephan Stux Gallery, January 1988
The Multiple Object, curated by Marjorie Fox Jacobson and Judith Hoos, Bank of Boston, March 1988
Redefining the Object, Art Galleries, Wright State University, curated by Barry A. Rosenberg, essay by Dan Cameron
Interaction: Light, Sound, Motion, Aldrich Museum, Miranda McClintic, essay
Strange Attractors: the Spectacle of Chaos, 1140 N. Dayton, Klaus Ottmann, curator
Artificial Nature, The House of Cyprus, Jeffrey Deitch curator, Deste Foundation, Athens, Greece
Old Glory, curator David Rubin, Cleveland Center for Contemporary Art, Ohio
Synesthesia, San Antonio Museum of Contemporary Art, San Antonio, TX

Articles & Reviews

Simon, Adam, What Lies Between Jokes and Art, Hyperallergic, Feb 2020
Morgan, Robert C., Alchemy, World Sculpture News, Summer 2012
Benjamin Genocchio, “Humor, With a Serious Edge After All”, The New York Times, Dec. 9, 2007
Nahas, Dominique, Review, d’Art International, Spring/summer 1999
Liu, Timothy, Review, New Art Examiner, July/August 1999
Brenson, Michael, Review, The New York Times, 12 January 1990
Nereim, Anders, Who’s Muse? The Spectacle of Chaos, Inland Architect, Jan./Feb. 1990
Faust, Gretchen, Review, Arts, September 1990
Ben, Tsipi, Interaction: Light, Sound, Motion, Sculpture, January/February 1989
Schwendenwien, Jude, William Stone: Tom Cugliani Gallery, Artforum, March 1989
Faust, Gretchen, William Stone: Tom Cugliani Gallery, NIKE, March/April 1989
Brenson, Michael, The Drowned World, The New York Times, 16 June 1989
Princenthal, Nancy, Vik Muniz at Stux, William Stone, Tom Cugliani, Art In America, April 1988
Preddy, Jane, New Spaces, Cover Magazine, April 1988
Mahoney, Robert, Fatal Strategies, Arts Magazine, May 1988
Raynor, Vivien, Works by the New and the Eccentric, The New York Times, 22 May 1988
Ottman, Klaus, Review, Flash Art, Summer 1988
Morgan, Robert C., Anti-Style, or the Installation as a Pleasurable Text, Arts, Summer 1988
Ottman, Klaus, Review, Flash Art, Supper 1988
Russel, John, Provocative Exhibitions at Museums and Galleries that are near New York City, The New York Times, 14 August 1988
Zimmer, William, Kinetic Sculpture’s Abstract Techniques, The New York Times, Aug.1988
Mahoney, Robert, William Stone, Arts, Summer 1988
Morgan, Robert C., Fatal Strategies: Exhibition Review, CEPA Quarterly, Spring 1988
Brenson, Michael, 12 Artists Shown in ҕnknownӠat P.S. 1, The New York Times, 26 October 1984
Deitch, Jeffrey, The Bad Light Photography Show at Strap, Art in America, March 1980